“你無法選擇不坐輪椅，但你可以選擇怎樣坐在輪椅上”。雖然這麼晚才看到《{#標題55}》，但慶幸沒有錯過這份溫暖。黃秋生和Crisel Consunji演得出色，飾演兩個生命中的過客，在軌道相交之際，照亮了彼此的前路。編劇導演陳小娟，首部長片已見成熟，實在難得。

十分驚艷的科幻作品，迷失在太空的飛船，更像是人類社會的縮影，終究逃不出那詛咒的命運。

印象最深的是吉瀨美智子姐姐太帥了。喜歡又吉老師那段稍微有點娛樂性

ugly delicious 感覺是我netflix瞎看的美食紀錄片中比較好看的了。 David 專業，個性也比較鮮明。剛開始覺得David老講一些冒犯的話，后來感覺到這個紀錄片的專業和文化性了。

深奧的簡潔；Living on a wall where everything is so simple for 19 days. we were going to miss this experience. 這電影和和#有熊谷守在的地方#一脈相承異曲同工心意相通，一個極靜，一個極動，一個方寸之間，一個縫隙之處，行行出狀元，各行業最頂尖的心性都是藝術，最高的藝術境界意味著每個人只能以自己特有的方式全身心的投入：Focus and objective, breathe and practice, dream big and do small. Somebody less gracious than Tommy Cidwoll might have said, "I've got to go on without you". but he was committed to Kevin" we're doing this together" . And he wouldn't have been Tommy if he'd done it any other way. You have to do in your own way. you have to live in your own way. This is it, this makes you special.