武打很精彩，就好好看武打吧，演技或者劇情什么的就算了。

試問誰能目睹Aretha版本的taking shape piece by piece而不覺心潮澎湃。

爸爸和妻子和女兒們和女婿和親家沖突，和解…

仍以妓自比 卻難以超脫出二十年前陳果的細膩和共情 對于局面的窘困 新人導演總在抗爭和訴說 但落入面譜化塑造的沉疴 以女兒為主要切入點最多著墨 但內里是對繼母的刻畫深研 形形色色的偽善者 邊緣人 難以排遣的孤寂 漂泊的不安 靠G開頭英文串聯 不會過于刻意牽強 幾處快剪帶來的震懾也足夠 反倒覺得演員最拉跨的是黃璐

深奧的簡潔；Living on a wall where everything is so simple for 19 days. we were going to miss this experience. 這電影和和#有熊谷守在的地方#一脈相承異曲同工心意相通，一個極靜，一個極動，一個方寸之間，一個縫隙之處，行行出狀元，各行業最頂尖的心性都是藝術，最高的藝術境界意味著每個人只能以自己特有的方式全身心的投入：Focus and objective, breathe and practice, dream big and do small. Somebody less gracious than Tommy Cidwoll might have said, "I've got to go on without you". but he was committed to Kevin" we're doing this together" . And he wouldn't have been Tommy if he'd done it any other way. You have to do in your own way. you have to live in your own way. This is it, this makes you special.